TV Title Typography

Type is a powerful design element, one that greatly influences the mood and emotion of any creation. When era-specific typefaces and styles are used in a design the perceived age of that design changes accordingly.

First year students in BSC’s Graphic Design and Communication’s Typography class recently demonstrated how, just by changing a typeface, a modern television program can be transported back to an earlier time.

Click on the image above to load some examples of vernacular TV titles.

Click on the image above to load some examples of vernacular TV titles.

Movement for Mobile

Second year students in the Graphic Design and Communications program recently covered how to utilize Adobe Animate to execute HTML5, mobile-ready, browser-controlled animations. In the span of a few weeks students created animations that were to engage the user and link their original brands to a national cause/movement. Adobe Animate focuses on achieving mobile-friendly, efficient vector animation using javascript and HTML5’s canvas feature rather than rely on Flash’s vulnerable Flash Player.

Click on the images below to see a few examples.

 

CFlanaganAnimation

Cori Flanagan masters fluid movement with her ‘Monster Munchies’ character.

NWeaverAnimation

Nicole Weaver pours on the ‘Sweet Piggy’ BBQ sauce.

ALongAnimation

The buzz is about local, organic freshness in this ad by Adam Long.

DTrippAnimation

Daisy Tripp’s animation has us tripping on ‘Daisy’s Donuts’.

History’s Rolodex

Business cards are some of the most common brand identity elements designers are asked to create. So what if your brand is a fairly notable individual? First year students in the Typography class recently completed an assignment where they had to imagine and design a business card for an actual or fictitious character. After conducting some research as to who their character was they had to make design choices that reflected the era in which they lived. They were to consider typographic styles and details that would help the finished card appear as legitimate as possible. Typography is often a hit or miss proposition but with some historical context the choices can become more obvious.

HistoricBCs

Some notable business card designs from a handful of students. (Clockwise from left to right: Annette Pickard, Lindsay Swaidner, Hannah Schafer, Preston Murschel, Ashley Rudnick and Kelsey Nicholson.)

Emotional Bunch

The first year students in Sean Thorenson’s Digital Illustration class recently executed their first original vector drawings. Using a scanned image of their hand drawn inking, the pen tool and a lot of patience, the students created this motley crew. This image may appear to be inked, but it is a 100% digital vector creation.
EmotionCollage

Illustrating with Style

This exercise proves that there is more than one way to draw ANYthing.

This exercise proves that there is more than one way to draw ANYthing.

The designer’s ability to work creatively with style can greatly change the personality and message of a piece. In this illustration project students selected an object and drew it in nine different ways while varying their style each time. The end product, if done correctly, looks like the work of nine individual designers.